14,769 Royalty-Free Audio Tracks for "Sound Module"

Percussice clip processed with delay modulation feedback.

Sony Battery-powered AM Radio Weak Signal Switches and Tuning. Changing stations on a manual radio.

A post-industrial feeling created with a tone generator, layering and reverb.

Feeding some cv to nlc ffc. Okay. It affects the module.

An odd sounding voice saying "two weeks later" - kinda had a monty python-esque feel in mind when i made it.

Experimentation with the harmmod m4l plugin in ableton live. No effects or post-processing was applied to the sound except normalization.

Little melody. It is consisting of two sinewaves. I linked a sequenced ring-modulation to the high-pitched sinewave. If you like this sound you might also like my tunes: http://soundcloud. Com/beverlyhillsboy/ check them out! cheers. :).

Electronic snare sound made by an opl3 chip #1.

JMK by techtheist

Playing with lfos. 2 lfos are controlling the amplitude of the sample and hold generated blips. . . :-).

Battery jitter earthbound signal a-xx module dc solar chemical unit.

Deep mad reese bass. Rendered at 170bpm.

Created this from scratch using adobe audition and generated tone. Effects include flanger, chorus, reverb.

Enrico Caruso, Frieda Hempel, Maria Duchêne, Andrés de Segurola, and Léon Rothier perform "È scherzo od è follia" from Giuseppe Verdi's Un ballo in maschera (1859), in this 1915 Victor Recording. This is Matrix C-14660, recorded 3 April 1914 in New York City, and released under a variety of labels. (full details).

Remix of previous sound. . . No 133.

Battery jitter scalar signal a-xx module dc solar chemical unit neutron node.

Battery jitter linear signal a-xx module dc solar chemical unit electron node.

2hp osc is fm modulating bermuda (using fm in). Pitch cv to osc is controlled by sloth and attenuverter. The bermuda tri output singnal is shaped by doepfer vactrol vcf. The vcf is modulated by sloth (cv in 1) and jerkoff (cv in 2). The noise it from dan, going to polivioks vcf. Polivoks is modulated by sloth. Output from vcf is going to vca controlled by another sloth.

A warbling effect such as from an alien device in a cheesy 1950s sci-fi movie. Created in adobe audition.

Bassoon Concerto in Bb major - Allegro This recording of Arthur Grossman of the Mozart Bassoon Concerto in Bb major was made in Bordeaux France in 1957 with the 7th Army Symphony Orchestra conducted by Ling Tung.

Sequential circuits pro one (analog synthesizer) self modulating.

Brief musical illustration from Beethoven's Fifth Symphony, played on an acoustic piano by Opus33.

Formatted for use in the make noise morphagene. This is the modulated and demodulated vocal track demonstrated in the video "demodulating signals with moddemix" available at https://youtu. Be/b3kt1fguq74.

Buzzing modulated reverb.

A wobble created with ableton live native instruments and effects.

A 4 bars long heavy dubstep wobbler-line! leave a comment if you like it ;).

An ascending heavy wobbler! kicks you out of your socks ^^.

Another wobbler in c with variating triol-rythm, whab-whab-whab-whab-whab-whab whaaab-whaaab-whaaab describes it best :d.

The most heavy tune that i could create! enjoy your ear-gasm :d.

A chainsaw-wobbler in g#, fits perfectly between my c and my f wobbler ;).

Long Trail (computer generated) "A lazy meditation on the long, hot road ahead."

I want you to compare this sound with:"electronic minute no 18 - vcv rack sqr sequencing"https://freesound. Org/people/gis_sweden/sounds/413520/in this sound, no 19, i use my modular synth. The sound is not as clean as in the virtual one. To some extent i blame my method of recording. . . Different oscillators sound different. Here i use a self oscillating filter. That produces a clean sinus wave. The cleanest sinus in my rack. But i guess the real thing is not perfect and that is what you are hearing? in neither of the patches i use a quantizer. . . (that's art :-)and, i almost forgot, i use a cheap analog delay pedal. Noisy. . .

Este audio es un trabajo de clase en el cual tenemos que producir y editar un sonido con un objeto común. Para este caso, se ha utilizado una moneda. En este tercer audio, el sonido es de una moneda rebotando en la mesa. Después, el audio se editó con audacity. En este programa edité el sonido con efectos como cambio de tono, ralentizar la velocidad y estiramiento deslizante. This audio is a class´s homework where we have to produce and edit a sound with a common object. In this case, it has used a coin. In this third audio, the sound is a coin that it was bouncing on the table. After, the audio edited it with audacity. In this programme, i edited this sound with a lot of effects like modulate, reduce the speed and extend the sound.

I'm getting to know a comparator. Why haven't i used it before?here i'm using, let's say, 2,5 comparators. Extremely electronic. Yes!look at those waves i'm creating!no filter! this is addative synthesis. Long loop.

Sequence with added simple drums.

Another of my dubstep-basslines. Have fun ;) this one is a bit crazy.

Synthesized soundit's a regular sine with a fast, chaotic pitch modulation9 notes, first note on each octavesurge xt synthesizer.

Makenoise in all its glory qpas x-pan morphagene, erbe-verb,mimeophon,processing dpo sine and square wave outputs. Sequenced by 0-ctrl. Recorded into reaper and rendered at 48khz 32 bit fpwith markers for all you morphagene fans out there. Enjoy the wierdnes!.

Bass notes created with the aethereal vst. Effects: asio sound card bugs, echo, reverb. After recording, the shape has been inverted.

This is a recording of a guitar loop heavily processed. Equipment used = yamaha pacifica guitar, roland duo capture audio interface, sony acid pro 7. 0, sony sound forge pro 10, fl studio 10, waves plugins (comp-gate and morphoder), antares filter, cycling 74 pluggo (sizzle delays), korg ms 20 emulator. Thanks for czechin out my sounds. . . Enjoy!.

Using a bass drum module to get not that bassdrummy sounds. . . Combining this with different types of feedback. I didn't know how to end the recording, as you will notice. I'm using an analog delay and spring reverb. Maybe the ending in it self is interesting? i find it hard to "tag" this sound :-)how useless is this sound on a scale from 1 to 5? 5 is totally useless. . .

Feel the pain xd leave a comment to stop robot abuse.

A short sting made in logic pro x. Credit is appreciated, but i understand that keeping track is kind of a pain. If you use it in your project, feel free to send me a link! i'd love to see it! :).

A chord progression loop i pulled from one of my remixes. Made with stacked synth pad and bass layers, and compiled in reaper.

A sine wave sweep from 400hz down to 10hz made using audacityoriginally made to test out my cars subwoofer.

Edited with openmpt.

Edited with openmpt.